Acknowledgements from my latest book

There are always many people to thank when producing any book, and this is no exception. First and foremost, I must acknowledge Billy and Ann Bland, without whose cooperation the project would have remained just an idea. Billy Bland, whose very aura and reputation worried me at the start of this journey, proved to be a very charismatic subject. He was endlessly polite and honest, however personal my probing became. He always tried to say it like it was and has always produced great quotes when interviewed by myself or others. Ann Bland supported Billy, and myself, all the way. She prompted Billy if memory temporarily failed him, responded to my interminable follow-up queries, and proved herself to be the rock that she has been for him all their life together. My many visits to the top end of Borrowdale to talk with them both have been pivotal in telling this story, but it has always been a pleasure to discuss the old and recent times with them.

As well as Billy and Ann, I have also had some in depth conversations with several contemporaries, friends, family and rivals. To the following in particular I give my heart-felt thanks for finding the time to answer my sometimes naïve questions:  Pete and Anne Bland, Pete Barron, Jan Darrall, Jon Broxap, Colin Donnelly, Howard Pattinson, Ross Brewster, Mark Wilson, Hugh Symonds, Kenny and Pauline Stuart, Joe Ritson, Tony Cresswell, John Wild, Gavin Bland, Dave Hall, and Scoffer Schofield.

Help comes in many different ways. For finding and suggesting various reference sources I turned to Jeff Ford and Charlotte McCarthy (both from the Mountain Heritage Trust), the latter inviting me to look through material at the Trust library, where I also bagged some mountaineering book bargains as they were clearing out some unwanted stock. I also received some good leads from Julie Carter (author of Running the Red Line) and Joe Ritson, who followed a great chat at the Keswick Museum café with some really useful material from his own archive. Martin Stone was instrumental in connecting me to Kilian Jornet, who generously agreed to write the Foreword to the book.

That thing called the internet is also wonderful for finding contacts and resolving queries. So, thanks to diligent folk on the Fell Runners UK Facebook group and the FRA Forum for responding to my random requests for info, race results, or other trivia. For furnishing me with contact details for people that I wanted to speak to I am particularly grateful to Matt Bland, Chris Knox, Hugh Symonds, and Ann Bland. In a similar way I needed to refer to some Fellrunner magazines that I didn’t have (and weren’t on the brilliant FRA website archive) and both Marcus Covell and Simon Blease kindly offered to send me missing ones that they had and were prepared to donate to aid my research.

Let us not forgot the value of librarians. On several visits to the excellent Kendal Library Local History section Kate Holliday and Sylvia Kelly were invariably welcoming, and happy to search out my obscure reference requests from their stock. Equally valuable was the support I received from Vanessa Hill, of the Middlesex University Library, who tracked down (and sent me) some references when I was looking into re-wilding and specifically the Wild Ennerdale project. I have also done much reading around the subject as I have been writing the manuscript, and the main books and other resources referred to are listed in the references section below.

Huge thanks are due to the following for help in sourcing photographs from their own collections and archives, and for giving permission to use them in the book: Pete Barron, Steve Bateson, Allan Greenwood, Denise Park, Neil Shuttleworth, Martin Stone, Boff Whalley, and Mark Wilson.

A writer always benefits from the support of friends, whom they can tire out with stories of how badly, or well sometimes, the manuscript is going. Among such friends one who stands out is Mike Cambray, who was always happy to accommodate me on dashes to the Lakes, and act as a sounding board for my ideas regarding this project. On one walk through his local Craggy Woods he came up with the brilliant suggestion of illustrating each chapter with a line drawing relevant to the part of the story within it. Moira Chilton somewhat nervously took on the task of providing the pen and ink illustrations which introduce each chapter. I hope you will agree that they are marvellous, helping set the scene and giving an excellent locational context to the journey.

On the many journeys to interview people for the manuscript Bruce Springsteen has many times been my companion. He has been the soundtrack to my writing and researching and is an inspiration to me on several levels. I once listed his ‘Born to Run’ in a blog on my favourite running books. It is actually the best written rock autobiography, in my opinion. The discerning reader/rock fan may detect his tangible presence in this tome.

At some point an author has to show their work to someone, ideally someone who is willing to read it and give constructive feedback. Massive thanks go to Ed Price for being my critical friend, despite having a very busy domestic and working life himself. He made some very sound suggestions regarding structure and style when reviewing the first draft of the manuscript for me, and I am sure the subsequent re-drafting has produced a better and more readable result. Any errors in the script are of course my responsibility.

Thanks to my editor Robert Davidson, proof-reader Joy Walton, cover designer Heather MacPherson of Raspberry Creative Type, indexer Roger Smith and all at Sandstone Press who, as always, have been a pleasure to work with.

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